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Stasha and Tempress Mugler's Mother's Day Ball

An Atlanta police car after the Mugler ball was raided as a result of a stabbing and attack

Stasha and Tempress Miyake Mugler Present
The Long Kiss Goodnight
Mother's Day Ball
Atlanta, Georgia
Sunday, May 15th, 2005

Photos by Frank Leon Roberts exclusively for FlavaLife Magazine, your hottest black and Latino men's urban travel and entertainment guide
*************

Just got back yesterday from Atlanta. I feel kind of weird sharing pictures of this weekend’s ball as if everything is simply “business as usual.” So I’ll preface this post with a few quick words. Without going into unnecessary details, I’ll just say that what I experienced on Sunday night at Stasha and Tempress Mugler’s event was one of the ugliest things I’ve ever witnessed at a ball. While my overall weekend in Atlanta was hot as hell (shout-out to all my house brothers and sisters across the country, as well as the boys of "Club 708" and "Atlanta Live"), the ball itself was terrible because it ended with people being attacked, stabbed, and hit with champaigne bottles. What’s worse is that in the days since the incident took place people have decided to point figures and ask “why” certain houses didn’t come to the “defense” of those being attacked, or whether people “deserved” what they got, instead of condemning the actions of those that behaved like animals. Members of our community still think its “cute” and “phab” to behave like field coons. Then people wonder why the ballroom scene continues to be stigmatized by members both inside and outside of the black gay community. What a shame.

Nonetheless, the senior members of the House of Mizrahi are dedicated to positive leadership, advocacy, and impact. This is not a house that measures its effectiveness according to who is throwing punches in parking lots. There is a reason this house has won "House of the Year" in three cities: our battles take place on the ballroom floor. Its a shame that in 2006, not everyone has followed this model.

Regardless of this rare and isolated incident, I still believe that the underground black ballroom scene is one of the most important, positive, self-affirming, and gloriously creative communities that has ever come out of black gay culture in New York City. There is nothing quite like it, and the scene provides a radical and productive departure from the phony, neoliberal, hypermasculinized tendencies that have come to categorize black gay culture as of late. See you at the next ball.

*special thanks to Keith Boykin for highlighting this post!

The House of Mizrahi: "Look at me, look at me, look at me bitch!"



Mother Stasha and Tempress Miyake Mugler
















































"GRAND PRIZE $1000
FEM QUEEN FACE
When she enters the building will she part the sea or will she drown in her own misery! With your presence known with an entrance that cannot be chopped and an attitude that won’t be stopped. We want to see that TRIPLE S EFFECT! We want to see that kissed by the god’s carta with an alluring look to match. The look must be sickening, sexy, and spring minded. A totally done spring effect with sex appeal! The look is on you, but make it hot! "


Ebony Power!

The Legendary Rose Chanel



The drop dead gorgeous "new bitch" Amiyah Mizrahi



(this was a real butterfly in Amiyah's hair)

The children are DONE!

FABULOUS!

Saint Louis came and turned the ball out. Thas was up Saint Louis. Watch out yall we are coming out awards ball is tonight.

"Nonetheless, the senior members of the House of Mizrahi are dedicated to positive leadership, advocacy, and impact. This is not a house that measures its effectiveness according to who is throwing punches in parking lots. There is a reason this house has won "House of the Year" in three cities: our battles take place on the ballroom floor. Its a shame that in 2006, not everyone has followed this model."

Mr. Leon Mizarahi, while I agree that it is a shame that the ballroom community still feels like this is the way to solve a disagreement, I have to say that you are wrong to try to make the house of Mizarahi out to be angelic in this situation. The first punch thrown was thrown by a Mizarahi, when Ricky Prodigy-Mizarahi struck Black Milan. The violence began there. Further it was Jack Mizarahi's comments that set the violent tone. If the ball room is to be truly healed then those who lament the pain cannot ignore the pathology of some while highlighting the pathology of others.

the ATL ball looks like nothing compared to the pics of the NY balls you post. I guess that is to be expected, huh?

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